Review: X-Men: First Class

X-Men: First Class is a great comic book film that is anchored by a fantastic cast and resets the X-Men universe in an era ripe for potential future films.

The film opens up right where the franchise did, with Erik Lehnsherr being separated from his family at a Nazi concentration camp and ripping a fence down in the process.  Where we go from there is all new. After an introduction to Mystique and Charles Xavier who have become childhood/lifelong friends we catch back up with Erik who is hunting down the Nazi’s who tortured him and his family in the camp.  Erik’s main target is Sebastian Shaw, a mutant himself who has collected a few others (mutants) around him, and Shaw is hatching something sinister between the U.S. and Russia.

The film is set right in the heart of the cold war, the Soviets and America on the verge of nuclear war, and Kennedy is in the White House trying to diffuse the situation.  The unexpected help comes from these newly discovered mutants and this fresh new era really gives the series a fun playground to play in.  The 60’s look is cool, sexy, and allows the characters to have a lot of fun, especially in these younger incarnations of these characters.  The two leads, Erik and Xavier, are of course Magneto and Professor X from the films we are familiar with and getting to see them as young men is really quite fantastic.  [Read more...]

Review: Love and Other Drugs

Love and Other Drugs is the latest from Ed Zwick and features a couple of great lead performances in a story that does a lot of things well but has a hard time finding a narrative through line.

Zwick is a history buff and likes to blend fiction with facts and this is another example of that approach; only this time it is not an action film but a raw romantic comedy as his template.  The history surrounding our story is the pharmaceutical industry in the late 90’s and a certain little blue pill that changed the industry.  Following an up and coming phrama rep, Jamie Randall, who has a long list of jobs never quite living up to his potential he finds his stride selling drugs to doctors.  While trying to swoon one doctor, Jamie, meets a girl, Maggie, with Parkinson’s and the two, of course, begin to fall for each other.  Their rode is not an easy one though and they find sex is the thing that comes easiest to the two of them.

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Review: 2012

Roland Emmerich’s latest is a good fun premise and starts off as an entertaining little disaster movie quickly dives into head scratching plot holes and absurdity that doesn’t make sense at any turn.
(Spoilers throughout, sorry they must be discussed)
The plot of the film revolves around the supposed end of the world predicted in the Mayan calendar with the end coming Dec 21st, 2012. The discovery of the impending changes is discovered three years early when some geological studies discover rising core temperatures and changing crust density that will lead to cataclysmic destruction and displacement of the land masses of the earth. The United States from here spear heads a massive project to build a set of arcs to help preserve the life and society of earth during the mass destruction. As the impending destruction arrives, the initial destruction of LA that we experience through John Cusack’s family characters eyes is indeed an impressive cinematic moment but after this and the explosion of Yellowstone the film drops off in quite a hurry.
The first problem is the Russian family that is inserted into the plot are completely unlikable and a waste of time. From here, how many times can we really see an airplane take off in destruction and narrowly make it? Once Cusack joins up with the Russians, his story become pretty worthless, and unfortunately they stay away from Chiwetel Ejiofor’s scientist with a conscious plot which is far more interesting, well until we get to the ludicrous final scenes. From here let me bullet point some thoughts that crossed my mind: [Read more...]

Review: Year One

Harold Ramis is back behind the camera for his latest with his new Apatow friends and the result is a intermittently humorous film that is rather mediocre to not funny for over half the film.
Oh and Zed are a pair of tribesmen that are quite the pair of failures in their tribe. Zed is the worst hunter in the group and Oh is a gather which says a lot about these guys masculinity. Between bitching about being the outcasts of the tribe, the two bitch about how they can’t get a woman and after an incident at the Tree of Knowledge the Zed is banished from the tribe and Oh reluctantly follows him out into the world. Along there way they encounter various faces from the Old Testament and we are treated to a seemingly series of vignettes that take us all the way to Sodom where Zed and Oh are left with the task of saving their love interests who have become enslaved.
Now, let me just get this out of the way, this movie isn’t very good. In fact, if you don’t like Cera and Black playing Cera and Black then you will loathe this film as that is basically all this movie is. Now, I happen to enjoy Cera’s shtick, but I must admit it is getting old and I pray Edgar Wright makes him do something different in Scott Pilgrim, and he did make me laugh on a couple of occasions in the picture; same goes for Black. But overall the film is just a real bore, not very funny, and leaves you feeling extremely disconnected to everything.
There isn’t a story thread at all in the movie, we just jump around from one scene to the next which is supposed to be funny because it makes fun of some Bible stuff? Now, I am not a religious man, but I can really appreciate some good religious humor, but there is nothing more here besides a couple Jew’s aren’t athletic jokes and that is about as smart as the religious humor gets. 90% of all the other gags and bits in the movie revolve around fecal matter, urine, flatulence, dick, anal sex, and vagina jokes; really that is the best you can do? I found myself comparing this to History of the World Part I while watching this and while that isn’t even near being Mel Brooks best film, it is a masterpiece next to this mess. Sure that movie was a series of vignettes as well, but it was set up and delivered to us that way. The film sets itself up to be some journey for knowledge and with a purpose but serves a simply a vehicle to try and jump from one joke to the next. On top of this, some scenes just end seemingly in the middle with consequences at risk and the next scene starts immediately as nothing happened with no resolution whatsoever. None of the humor comes from the writing, or characters, or the story it is all a series of humorless gags and skits that has me seriously doubting whether I want to see a third Ghostbusters film since it is being written by the same pair of writers, Gene Stupnitsky and Lee Eisenberg, that whipped out this miserable piece of shit.
The acting in the film is fairly weak all across the board as well. Jack Black is Zed and is at his most annoying and is as bad as he has been in years. I have liked him in most everything he has done, especially of late in Tropic Thunder and Kung Fu Panda, but this might be the dumbest and worst performance of his career. Michael Cera, as Oh, supplies the most laughs in the film, but he has been far better in many other works; and lets hope Paper Heart is as great as the preview looks or else Cera might be in some serious trouble. (Seriously dude you don’t have to be the same guy every time, and I might have to disown you if you screw up Scott Pilgrim and don’t show any energy that Scott Pilgrim has almost all the time, I have faith Edgar Wright will keep you in line) David Cross is annoying and I love David Cross, so that is saying something. If you screw up having a brilliant comedian like Cross in your movie, you know you are in trouble. Oliver Platt was a bit to over the top in the picture for me, but at least he looked like he was having some fun in the role. Same goes for Hank Azaria as Abraham, who pound for pound was the funniest person in the film. Olivia Wilde is hot and has a couple of decent jokes, so she did fine, but for some reason they left Juno Temple to almost play a mute for 95% of the time she is on screen, it was really odd that she never talked. I was happy to see June Diane Raphael get a nice role to work with, and actually be fairly funny from time to time, as she was great in her small part in Flight of the Conchords and am glad to see her getting more work. As for the rest of the cast, they are rather forgettable and one trick ponies and no one elevates their game to stand out from the crowd in this weak ensemble.
In the end, Year One is a mess and one that you should probably avoid. If you are a fan of Cera and Black being Cera and Black then you might find some enjoyment. But like I said, I have been a fan of both and I couldn’t find a whole lot to enjoy in the picture. Ramis just completely mis-fired here and his first mistake was thinking the writing was any good in the script, which he helped contribute to, and then let them ruin the picture in the editing room even further. The third act of the film is the strongest, but none of the comedy comes anywhere close to being as good as some of the great work we have gotten of late from the genre. So I have to say this is a rental at best, as there are a few laughs, but the more and more I think and write about this picture, the worse and worse it gets in my mind. If the trailer did nothing for you, the movie won’t either.
Year One is an F

Review: Frost/Nixon

Ron Howards latest is a nice little film about history that does a fine job of humanizing Nixon while still holding him accountable, and is full of a number good performances.
Richard M. Nixon (Frank Langella) is the only president to ever resign from office, and in doing so a nation was cheated and robbed of the man admitting the errors of his way when he was pardoned by Gerald Ford. David Frost (Michael Sheen) in the mean time was a moderately successful British television host who, while having a show fail in the U.S., was still successful in England and Australia. Frost craved a return to the American spotlight though, and a return to the New York scene which he loved. Frost devises a plan to get back to New York by hopefully scoring the first interview with President Nixon since his departure and acting like a real journalist instead of the entertainer he was perceived as. Luckily for Frost, Nixon needs money and a chance to rebuild his reputation, and Nixon and his aides see this interview with an “amateur” as an opportunity to control the situation and put a positive light back on himself and his presidency.   [Read more...]