
Noah Baumbach’s latest, Frances Ha, keeps him in the running for one of the best working directors while getting another stellar performance out of Greta Gerwig. [Read more...]
Film Review: Frances Ha
Review: Greenberg
Noah Baumbach’s latest, Greenberg, is just as engaging of a film as his previous efforts and is an interesting dual character study of a couple of people who can’t quite figure out their lives.
Roger is lost in life and he decides to try and sort it our by taking a break from life by moving into his brother’s house in LA for a bit while they are gone on vacation. Florence is in a similar place in her life, though a bit younger in age to Roger, and the two meet as Florence checks up on Roger’s brothers house as she is the family’s personal assistant. The two begin to strike up a bit of a friendship as they cross paths at the house and both hesitantly move towards possible romantic feelings. Roger is a bit conflicted though, as he is with everything, as he contemplates hooking up with an ex from his past and tries to figure out if she was the one who got away. Roger also reconnects with an old friend, Ivan who is also his former bandmate, who has changed quite a bit but the two try and find a common ground to rekindle their thing relationship. From these lines we follow Roger and Florence as they try and figure out what happened to their lives, where they want to go, and watch them make mistakes along the way with and separate from each other.
Review: Fantastic Mr. Fox
Wes Anderson returns to the screen with a film that fits into his little world only this time with a bunch of talking animals from the wonderful fable by Roald Dahl.
Mr. Fox was always a daring individual, and stole live stock for a living before he met Mrs. Fox and was planning on having a child with her. He decided to settle down and became a writer for 12 fox years, but the itch of adventure and change in a mid-life crisis of sorts over took him and he put himself in a situation where he can become a thief again on the sly. Though this doesn’t go well and before he knows it his friends and family are at risk of the evil Boggis, Bunce, and Bean, his human neighbors whose product he has begun to steal.
This film continues the fantastic trend of animated and family entertainment this year that is suitable for all ages and able to be enjoyed, maybe more than the kids, by the parents. Anderson’s dialogue and character traits are all here, but I feel like this is his most accessible film to date to the general public. There are cute characters and action for the kids and witty humor and grown up issues for the adults, if it wasn’t for Up this would be the most broadly appealing film of the year. Anderson also does a nice job at creating actual tension and thrills through the adventure of the film and isn’t afraid to do some silly bits for humor’s sake as well.
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The Decade's Best: The Life Aquatic with Steve Zissou (2004)
Wes Anderson’s “action” movie sticks to the themes that you find in a lot of his films and the results are a fantastic blend of adventure, farce, humor, sadness, and drama that not only gives us Anderson’s spin on the action/adventure genre drama but serves as an excellent character study of a man on the verge of being irrelevant in almost every aspect in his life.
I have been a huge fan of Wes Anderson since I saw Rushmore back before the release of The Royal Tenenbaums back in the beginning of the decade and I guarantee you will see at least one more of his films in this feature before the year is out. The Life Aquatic is the biggest departure for Anderson in that it is by far his most grand and epic film to date taking us all across Europe and the Mediterranean sea of Wes Anderson’s world.
Steve Zissou is a Jacques Cousteau type that has had a successful run of nature films investigating the open seas all around the world, but has been losing both notoriety and funding over the last few years with the shadow of his nemesis Alistair Hennessey slowly casting him and more and more darkness. [Read more...]
Review: Margot at the Wedding
Noah Baumbach’s follow up to 2005′s Squid and the Whale continues with that films dysfunctional family theme and it works just as splendidly for Margot as it did with fore mentioned film.
Baumbach’s writing is just stellar with his off-beat sense of humor and a knack at finding hilarity in the awkwardness and uncomfortable settings the mixing of estranged family members creates. Baumbach’s script also turns things on their head a bit with his younger characters acting and discussing things older then themselves [Read more...]



















